| 1. |
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Marie Ackers was born in France, Marie`s work is initially inspired and influenced by the work of the 19th century "French Animaliers", such as Jules Pierre Mene and Antoine Louis Barye. Recently Marie's inspiration are changing toward more modern sculptor such as Marino Marini, Henry Moore and Lynn Chadwick...
Marie Acker`s work is not about scientific measurements but it is about capturing the spirit and the essence of the subject. It is about capturing life.
Marie Acker works on private commissions but also continues developing a portfolio of limited, numbered and signed edition in bronze with few work also available (in a very limited number) in cold cast bronze. |
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| 2. |
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Occasionally work from the East stands out for sheer quality of workmanship and this selection we have made, has we feel, this certain something. The low prices reflect the lower costs and in consequence are remarkable bargains. The works are by a variety of different anonymous artists. |
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| 3. |
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Patrick Barker's charming, rounded, friendly figures have been snapped up by, amongst others, collectors in Holland, Austria, France, Germany, Singapore, Italy, Thailand, USA. Lord Carrington, Michael Hestletine, Tom Stoppard, and Pru Leith have pieces in their collections. |
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| 4. |
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His work has been exhibited and bought in London, Zurich, Rome, Amsterdam, Madrid, Los Angeles, New York, Miami, Aspen, Sydney, Toronto, Hong Kong, Glasgow, Paris, Monaco, Hamburg, Melbourne, Singapore, Washington DC, Chicago, Las Vegas, and Vancouver. His ethereal and original works are in the collections of the National Galleries of Canberra, Canada and Rome, The Natural History Museum, Museum Beelden Am Zee Holland and numerous private, corporate and public collections. |
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| 5. |
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Comes with a well established reputation from Spain and has been invited to exhibit in Paris, Madrid, Valencia, Mallorca, Sheffield, London, Zimbabwe, Italy etc and has work and commissions in collections all over the world and you only have to see her work to understand why. |
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| a. |
Expectation |
50 x 26 x 17 cm |
Buñol Marble |
1/1 |
£5000 |
| b. |
Limitation |
50 x 30 x 15 cm |
Bateig sandstone |
1/1 |
£4167 |
| c. |
Need |
23 x 45 x 27 cm |
Bateig sandstone |
1/1 |
£4667 |
| d. |
Storks |
30 x 23 x 15 cm |
Borriol Marble |
1/1 |
£3000 |
   
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| 6. |
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Alan Biggs Trained at Reading University and the Ecole des Beaux Arts in Paris and having taken early retirement from teaching plunged into sculpture and portraiture and was selected for the RA Summer Exhibition. His time is almost entirely taken up by commissions so we are lucky to have his work to show his incredible talent for the human form in repose and motion. |
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| 7. |
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Coming from a background of creative community of Burslem his quality of sculpture has come from his love and passion of painting, and the human form. His work is both inspired and self taught with success, originally inspired with some of the ethos of Monet, Degas, Sargeant, Bernini and Canova. |
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| 8. |
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After 5 years studying sculpture at the Liverpool College of Art, she worked in America, Kenya and the North of England. All of which have influenced her in her figurative and abstract art. Only working in bronze, using cire perdue, she has work in collections in most parts of the country and you can see why.
She is one of the finest proponents in Bronze abstract sculptures today, in Britain |
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| a. |
Airborne |
32 x 29 in |
Bronze |
4/9 |
£4335 |
| b. |
Duo |
22 x 56 in |
Bronze |
2/12 |
£3250 |
| c. |
Sleep |
18 x 46 cm |
Bronze |
2/12 |
£3750 |
  
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| 9. |
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He has a natural eye for form and design and unerring ability to turn the former into spectacular reality in stainless steel. He does this alongside this other skill in designing and creating original designer furniture for exteriors as well as interiors. |
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| 10. |
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Peter has exhibited his imaginative organic sculpture in innumerable outdoor and indoor exhibitions throughout Britain since graduating from Camberwell College, London. The majority of his work is in copper and steel.
His work has been purchased for collections in Europe, the US and New Zealand, such is the interest in his unearthly depictions of flora which blend in so well in garden settings, as exampled in BBC Gardener’s World, The FT , Sunday Express colour supplements etc. |
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| a. |
Pod Form lll |
130 x 40 x 40 cm |
Copper, Wood Plinth |
n/a |
£992 |
| b. |
Seed Pod Vll |
1.4 x 0.4 x 0.5 m |
Copper, Wooden plinth |
n/a |
£960 |
 
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| 11. |
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He is Italian-based, makes dynamic, floating forms in coloured marble which appear to defy gravity. He works in marble and granite, as well as in bronze and wood for indoor and outdoor display. His style is semi-abstract and symbolic; he believes an artistic environment should be not so much realistic as poetic. |
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| a. |
Between earth and cloud |
50 x 70 x 55 cm |
black marble |
1/1 |
£5000 |
| b. |
Dream |
60 x 50 x 35 cm |
Bronze |
1/1 |
£5000 |
| c. |
Fruition |
40 x 40 x 60 cm |
Black marble |
1/1 |
£4334 |
| d. |
On the Wave |
60 x 10 x 15 cm |
Black Marble Belgium |
/5 |
£3467 |
| e. |
Woman |
65 x 30 x 35 cm |
Black Granite |
/4 |
£6384 |
    
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| 12. |
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Daddazio`s subject and sculptural niche since 1992 has been and continues to be necktie sculpture (Contemporary Urban Primitive Art) in both bronze and mixed-media. He studies the necktie as an icon and symbol of Western culture, rather than a fashion statement. He is also the first artist in the four hundred year history of the cravat/necktie to make figurative and representational bronze sculptures of the necktie/cravat. An article in the Italian Magazine, Nodus, (Milano, 2000) describes him as the "Maestra di Trasformismo" (Di Simona P.K. Daviddi). The figurative bronze necktie sculptures adhere strictly to the lines, structure, and volume of a real necktie, and the trick is to stay within this framework to create a human or animal figure that is doing something that is common to all. For, example: Tie Trumpet; Tie Saxophonist; Tie Geisha; Tie Ballerina; Tie Kiss; Reclining Tie; Tiecoon; Bowtie [archer]. On the other hand, there is the Representational bronze necktie sculpture that imitates a real necktie realized in bronze: Repp Stripe; Repp Buff; Repp Textured; Perch; Freedom; Posara; Spirit (s) I, II, III. There are other necktie sculptures that don`t fit into either category, for example, Male Moda (bronze); 50th (bronze); and, G.W., Jr. (Papiér Maché). Turning away from classic bronze, is a new genre that he is creating: Contemporary Pop Urban Primitive Sculpture. Mixed-media pieces are constructed like a real necktie and used as giant wall-hangings. A variety of fabrics and materials are used: cotton drop cloth; denim; burlap coffee bean sacks; bubble wrap; awning canvas; orange plastic fencing; orange and blue plastic mesh; furniture fabric; astro turf; stainless steel mesh; blue poly tarp; plastic compactor bags; and many other materials used in the construction trades. More than two hundred mixed-media pieces have been made since 2005. |
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| 13. |
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Her interest is in the human form and its relation to the organic found in nature. She takes her inspiration from the landscape and the natural world, especially the South Downs where she lives. She has always tried to express something of the spirit within rather that an illustrative interpretation of the human form, and she was influenced greatly by the inner power expressed in the Buddha sculptures in Japan, where she lived and worked for 5 years. |
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| 14. |
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An inventive and original artist working in the balmy climate of the West Indies, who has created fireballs cut from ever more difficult to source steel buoys. |
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| 15. |
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Particularly accomplished in humorous and life like animals, in bronze, ceramic and resin, and often uses colours outside the normal. Exhibits widely and has an avid following and you can see why. |
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| 16. |
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A truly remarkable self taught artist producing one off fine bird sculptures using his highly skilled metalcraft techniques from a career of repairing aircraft. After a lifelong passion for wood carving, willow sculpture and nature, the natural progression into metals particularly old copper, has produced a marvelous collection of fine bird sculptures. |
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| 17. |
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An artist whose work can be found at Eton College, The Natural History Museum, Elizabeth Frink, Goodwood Sculpture Park, Compton Casie, Laugharne Castle etc and because he is in such demand for commissions, has little time to indulge his passionate skill on his own inspirations, and we are lucky to have been able to get these pieces which exemplifies his astonishing imagination and skill. |
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| a. |
Drop |
3.6 m |
Stainless Steel |
1/1 |
£14200 |
| b. |
Guernsey Lily |
112 x 94 cm |
Stainless Steel & Copper |
1/1 |
£4000 |
 
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| 18. |
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Christine Fox creates abstact sculpture in stainless steel and other materials.She trained at Winchester School of Art and got her first commission when she was in the first year of the degree course there. Since then, her work has been in great demand for commissions. She is also invited to exhibit widely and her sculptures have been bought for collections all over the UK. Her current work is exploring aspects of time, and change over time. The flowing forms of the steel reflect the ebb and flow of nature as well as life, and although there is much energy in the swirling forms, there is also a sense of peace and stillness. |
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| 19. |
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He is a British sculpture who has lived and worked in Columbia for 40 years where he runs a pottery of international repute, a sculpture school, and farms. His skill at interpreting the human form, particularly children and teenagers at rest and play, is exquisite. |
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| a. |
Felix |
Life Size |
Bronze |
1/9 |
£9000 |
| b. |
Lina |
Life Size |
Bronze |
1/9 |
£9000 |
 
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| 20. |
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Ginger is an artist with a particular vision. This vision has emerged from her life experience and the influence of many great teachers. The seed of this vission grew out of the integration of her eighteen years of marriage with Pink Floyd guitarist, David Gilmour ~ the raising of their four children and the inner longing to express her own creativity. Now what once was a seed flowers within her life, within her paintings and within her sculpture. |
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| a. |
Aeriel |
170 x 127 x 96.5 cm |
Bronze |
1/9 |
£25000 |
| b. |
Awakening |
104 x 79 x 112 cm |
resin |
1/9 |
£6250 |
| c. |
Contemplation |
84 x 70 x 50 cm |
Resin & Marble dust |
6/150 |
£3335 |
| d. |
Sylph Reeds |
220 x 14 x 14 cm |
Red |
1/30 |
£1000 |
   
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| 21. |
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After two careers, in the Coldstream Guards and as a G.P., he has finally found his passion for using local materials and creating works for that landscape. His work is commission only, and his whims and follies can be found in Arizona, Yorkshire and Lincolnshire. He is influenced by Military Fortification and dry stonewalling of his native Yorkshire when he is not writing, exploring or inventing. |
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| a. |
Sitooterie |
build on request |
Granite |
Unique |
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| b. |
Whim 7 |
Variety |
Granite or any stone or materiel that is |
7/00 |
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| 22. |
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A man of many parts, producing such serious and humorous work. Initially specializing in portrait and figurative work, moving via numerous commissions to his present mischievous approach, reminiscent of Hans Anderson or Mervin Peake, which are so sought after. He is the youngest person ever to have worked for Madame Tussauds in London. |
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| 23. |
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Born in Buffalo, New York, I spent my childhood enthralled in a world of drawing and painting. Though honored for my creative endeavors, I was encouraged to pursue a more conventional career. After finding success in real estate and hotel development, the artistic passion that existed just beneath the surface of my long-established business persona was finally able to present itself in tangible form upon selling my company in 1996. I began sculpting, and have since created an evolving body of work made up of alabaster, marble, limestone, and bronze. |
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| 24. |
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Martin Hayward-Harrisis a talented animalier who created the massive blue whale in the Natural History Museum where he trained and worked for twenty years before doing the same job in the National Museum in Copenhagen, where he worked with Europe’s greatest wild life artists. He supports the WWF with sculptures auctioned at Christies. He translates pure form into a realm beyond simplicity and sensitivity that is traditional and contemporary at the same time. |
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| 25. |
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His work has always been inspired by the different form, movement and characteriestics of nature. Large life-like sculptures, encapsulating real essence of his subjects as he sees through his own personal experiences.
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| 26. |
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One of the most accurate and carefully made sundials available in Europe. Silas Higgon creates a wide selection of meticulously calibrated traditional and contemporary pieces. |
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| 27. |
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Michael Hipkins was born in 1942 and received his Art education at Blackpool College. He then went to Paris to study painting at the Academie de la Grande Chaumiere and Academie Julienne and etching and engraving at S.W. Hayter’s Atelier 17. Primarily absorbed by the human figure, he is not so concerned with naturalistic interpretation but rather with truth to materials used. In his stone carving he tries to bring out the quality of the stone, showing different degrees of process from the raw stone to a highly polished finish. The figures emerge from the stone creating unity in form, spirit and movement. |
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| 28. |
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Lynda Hukins was born in 1950. A highly gifted artist she grew up in the countryside of the Weald of Kent, where she lives today.
She worked in Kent and London for a number of years until she was able to pursue her passion for art and in particular sculpting.
Her work in the early years was sculpted in wood but by the mid 90’s she had moved exclusively to bronze as her finished medium.
The natural environment is a driving force and inspiration in her work, whether it be the coastal shoreline, the downs or the Wealden countryside and its wildlife, where she lives.
British wildlife has been the dominant theme in her early work.
Many of her wildlife bronzes, all of which are life size, hint at abstraction in their simplicity and stylisation, giving them contemporariness in the character of their form.
This has led to a progressive move towards abstraction in her sculpture as an expressive form of her art.
Lynda has always been drawn to the strength and movement she finds in her subject and their form, seeking to capture those qualities with a strong definition of line, to draw the eye to the sculpture, and express its essential qualities.
She somehow captures both the strength and repose of her subjects.She is always working on commissions she has little time to indulge her inclinations and we are extraordinary lucky to have these pieces. |
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| 29. |
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Born in Stuttgart – has a background of painting, drawing, collage, porcelain and terracotta, and her work reflects and evokes her love of the natural and gentle memories of her childhood. Usually cast in resin bronze, though her commissions are in bronze. |
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| 30. |
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Abu Jafar is an acclaimed leading International artist and Philosopher of the arts. Since 1991 he lives and work in United Kingdom. Born on March 21, 1968 in a small village called Jhilna, Patuakhali, Bangladesh. He studied fine arts, painting and drawing at the Institute of Fine Arts, University of Dhaka, Bangladesh 1984/89, Master Drawing of the human figure at the Guildhall University, London 1989/90, Art and Art History at the Goldsmith’s College, University of London 1991/92 and Philosophy of Arts at the Open University, 1997 UK. In 2007 Become an Associates Member of the Royal British Society of Sculptors and 2009 become a Member of The Arts Club, London UK.
Last 27 years Jafar has exhibited internationally and in the UK. Extensively working from painting to installation to sculpture involving anything from everything: in his words.
“I gather elements through my emotional experiences then transform them into the art forms which could incorporate anything and everything that’s around me.” - Abu Jafar
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| 31. |
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Trained at Winchester School of Art, and works in terracotta, resin bronze, bronze, cement fondue and plaster, using the human form with mythological references, the lighter side also attracts her, using colour, movement and humour. |
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| 32. |
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It is a real pleasure to be able to welcome back Lucy’s rapturous approach to nature, and her skilful use of patination. Usually her exhibitions are a sell out, so we were lucky to have this piece to show you. |
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| 33. |
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He works in a variety of exotic stone from his native Zimbabwe. He is one of the few African artists that has made such inroads inton the International market with pieces in wide spread collections. |
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| 34. |
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She is a sculptor reveling in the human form, capturing the spontaneous spirit of repose or movement and seemingly reflecting her own joy and sense of fun. |
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| a. |
Audrey |
84 x 80 x 55 cm |
Marble Pink |
1/1 |
£6552 |
| b. |
Breast |
84 x 80 x 55 cm |
Bronze |
1/1 |
£9850 |
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| 35. |
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Has a natural ability, augmented by study at Hereford College of Art and Design, to create life and mythical forms from steel, copper and other metals, and the few pieces that he creates get snapped up by his fellow islanders and from further afield. He gets better every time he sets his hand to the welder. |
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| a. |
Face en Face |
49 x 30 x 38 cm |
Copper & Steel |
1/1 |
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| b. |
Reach |
209 x 56 x 52 cm |
Steel |
1/1 |
£4270 |
| c. |
Ronin |
185 x 86 x 125 cm |
Copper & Steel |
1/1 |
£10835 |
  
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| 36. |
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In 1998 Michael Lyons held a 20 year Survey Show at Yorkshire Sculpture Park, of which he was a Founding Member. Since then he has worked extensively in China, Mexico and Argentina extending his use of mild steel to encompass stainless steel and copper. In 2003 he won the Premio Fondo Nacional at the Guilin Yuzxi Paradise International Sculpture Awards. In 2006 he won the Premio Fondo Nacional de las Artes in the Chaco Biennale of Sculpture, Argentina. In 2007 he represented Britain in "Open" - an International Exhibition of Sculpture and Installations in Venice. In 2008 he exhibited in "Steel Sculpture" organized by the Fundacion Villacero at the Rami Koc Museum, Istanbul - the exhbition continued in Hamburg and Quatar later in the year. |
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| 37. |
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Achieving an HND at Stafford college under the tuition of Mike Talbot ARBS, Andrew has since worked professionally as a sculptor for 13 years. His interpretation of the female form can not be bettered. |
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| a. |
Grey Lady |
55 x 30 x 25 cm |
Aluminum laminate |
35 |
£800 |
| b. |
Rosie |
80 cm |
Bronze Resin |
4/35 |
£999 |
 
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| 38. |
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Because of the immense demand in Holland for his scultures, there seems scarcely a town there that does not have at least one of his works. It is only because his ancestors, fleeing from the terror in Normandy, lived for a time in Guernsey that we persuaded this sculptural giant to exhibit here. |
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| 39. |
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A multi talented and skilful artist who uses his imagination and his background in the industrial north to create powerful images from a variety of materials, often with a touch of humour, but always with the punch of a pile driver |
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| a. |
Electra |
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Bronze/Stainless Steel |
/10 |
£50000 |
| b. |
Theseus |
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Bronze |
/10 |
£50000 |
 
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| 40. |
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Robert Mileham, whose ability to capture the spontaneity and bounce of a dog and those dreamy moments in a child's life is nothing short of a mystery. His work is really all comission resulting from people having seen his work in an exhibition or in a collection which are as far a field as the USA, Hong Kong, Belgium, Switzerland and of course Britain. He must be one of the finest sculptors of girls around. |
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| 41. |
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Terry comes with a natural talent honed at an impressive selection of Art Academia; Wimbledon School of Art, Hornsey College of Art and the Royal College of Art. He has been invited to exhibit extensively in Australia, Britain, Italy & France and features prominently in ‘Modern British Sculpture’ the book of sculptors of 20th Century by Guy Portelli. |
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| a. |
Accord |
76 x 74 x 50 cm |
Cold Cast Iron |
1/10 |
£7920 |
| b. |
Undercurrents II |
90 x 170 x 30 cm |
Cold Cast Copper |
2/5 |
£6670 |
 
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| 42. |
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Nearly all his work is devoted to the exploration of glass as a sculptural medium and where appropriate he adapts the latest glass engineering techniques. He often incorporates toughened and shatter resistant glass laminates and is thus able to create glass sculpture which does not need support and is robust and durable.
Has exhibited and sold his unique glass pieces all over the world.
His technology degree has given him great insight into structure and physical properties of glass, and this enables him to realise highly original and unexpected artistic possibilities for this spectacular medium.
His work frequently features on television.
Very much in demand. |
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| 43. |
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Gudrun Nielsen is an Icelandic sculptor, trained in Reykjavík and London. "She has been working professionally since 1989 and has made good as an artist in the world of British environmental sculpture, which boasts of a long tradition encompassing everything from figurative bronzes for public gardens to permanent site specific installations".........
"Gudrun aligns herself with the kind of three-dimensional art which might be called a modernist-based formalism with minimalist or constructivist overtones. The „Japan factor“ should be seen in the context of the second aspect of Gudrun´s „style“, her enduring interest in clear and concise forms and proportions, and in qualities such as lightness and harmony, in short, everything that contributes to the optimum balance of elements within the work at hand as well as the environment without. These are qualities traditionally associated with the Japanese attitude to mass and space, as seen in the work of their most prominent architects. A fundamental aspect of this attitude is a certain spareness with regard to materials, which is also something that Gudrun subscribes to".
Aðalsteinn Ingólfsson. UMHVERFI Í VERKI, VERK Í UMHVERFI / THE SITE WITHIN THE SITE WITHOUT
Reflection on the art of Gudrun Nielsen. "Menning og Listir" Frettabladid, Iceland p.8 and 9, 17.10.2009 |
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| a. |
18 Steps |
205 x 58 x 31.5 cm |
Pinewood, Black Dye and Copper Wire |
1/1 |
£1334 |
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| 44. |
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| a. |
Morning |
175 x 45 x 35 cm |
wood,wallnut |
1 |
£16667 |
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| 45. |
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Gary has a deftness and skill with copper, which combines with a sure eye for form. The shapes and designs are absorbed from nature and then worked into the finished creation. He has work in private collections all over the country, we have sent them as far as Switzerland. |
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| 46. |
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His great skill in figurative work is reflected in the astonishing amount of commissions, bronze portraits of such heroes such as Douglas Bader, Wellington, Napoleon, Johnny Johnson etc and his ability to give a feeling of movement as well as peace, he has been asked to exhibit at the RA, The Sladmore Gallery, Tokyo, New York etc etc. |
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| 47. |
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As he is in such demand for commissions for public and private collections, he has very little time to work on his own inspirations and we are privileged to share some of his own examples of realism. His work is of such quality that it has nearly all been funded by rural development funds, the Lottery, Arts Councils and County Councils. |
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| a. |
Canon |
24 in |
Portland stone |
i/i |
£1745 |
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| 48. |
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Elizabeth, Who has a Diploma Art & Design (Wales) and Post Graduate Year City & Guilds (London), has exhibited in London, Paris and Amsterdam: Her works aim for tension, balance and latent movement and are in collections in England, Germany and Holand. Of Anglo-Irish descent, she has lived in Ireland, Scotland and Wales. She was elected Associate Member of the Royal British Society of Sculptors in 1998 and shows with Surrey Sculptors, Surrey artists, Hampshire Sculpture Trust and Local Galleries. Her work was shown at the Hannah Peschar Sculpture in Landscape garden, Le Club des Arts, Paris, Gallery Lughien Amsterdam, and semi permanent at Beale Park, Reading. She has sculptures in private collections in England, Wales, Germany and Holland. |
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| 49. |
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Jilly Sutton trained at Exeter College of Art. She carves ‘in the round’ large pieces of tree, the challenge being the plastic manipulation of the wood. Her mostly figurative work has a haunting beauty, with an over-riding feeling of peace. Her double sized head of the Poet Laureate is in the National Portrait Gallery. Much of her work is cast in bronze or jesmonite from her original carvings. |
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| 50. |
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Much in demand for public art and community projects, Richard somehow captures the potential of the medium he work in with the genius of a light touch. When not sculpting he teaches degree courses. |
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| a. |
Genesis I |
1.2 x 1.3 x 3 m |
Stainless Steel |
1/5 |
£4920 |
| b. |
Inception |
2.1 x 1.8 x 9 m |
Stainless Steel |
1/3 |
£5585 |
 
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| 51. |
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He is probably the top Bulgarian international artist and has worked and exhibited in UK, Japan, Italy, Bulgaria, Hungary, Austria, France, Taiwan, China, Portugal, Korea, Turkey, Australia, United Arab Emirates, Scotland and South Africa. He is an absolute giant of the sculpture world who seems to have captured the contemporary ethos of desirable art with seemingly effortless ease. |
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| 52. |
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A remarkably versatile artist, having graduated from Wimbledon, Chelsea and The Royal College where she won the Henry Moore Scholarship. She creates work of quality and power, and unbounded originality. Each piece has a spontaneity and character of its own. |
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| 53. |
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She usually works in natural materials – stone and wood, collecting the energy of the surrounding world in pieces of sculpture. The live figurative images are characteristic for her creative work, also the deep relation between the harmony and the rhythm in the music and in her sculptures. |
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| 54. |
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Her private commissions can be found in Holland, Germany, Portugal, Switzerland and the America’s and her public commissions include St. Thomas’s Hospital, Keele University, Albourne Church etc etc. Like many great sculptors she started as a painter but unusually came to sculpting via domestic pottery, but what a result. |
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| a. |
Drowsing |
77 x 55 cm |
Bronze Resin |
8 |
£2175 |
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| 55. |
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Tolleck Winner ARBS was born in the former USSR in 1959. He has lived and worked in the United Kingdom since 1980. Dedicated to producing art as full time occupation, his work is kept in private and public collections in the UK and throughout the world. |
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| 56. |
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He is one of those rare artists whose skill is entirely natural and untaught and whose artistry has been appreciated by such as Sir Cecil Beaton, his first client, The Duke of Westminster who commissioned a 5 metre bronze of his ancestor Sir Robert Grosvenor and so the list goes on. He is particularly well known for his singular ability to capture that spontaneous moment of movement or repose whether of people, birds or animals. |
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| a. |
Anna |
178 x 48 cm |
Bronze |
/6 |
£25000 |
| b. |
Natasha |
165 cm |
Bronze |
/6 |
£25000 |
 
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| 57. |
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Though inspired by classical tradition, Althea’s work develops her forms of human figures and animals with a contemporary treatment, using high-fired ceramic with the colour of cotwold stone |
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